Contributed by Clare Gemima / Analog Diary’s group exhibition “Chromazones” – curated by Derek Eller, Abby Messitte, Katharine Overgaard and Franklin Parrasch – features a wide, intergenerational array of artists. Many works, including Clare Grill’s Plant, Pam Glick’s Cat, Dog, Car, Sky, and Yukine Yanagi’s Chrysalis, are traditional oil paintings. Others utilize unconventional materials, such as glitter, which is found in Chris Martin’s Fireflies, or gemstones, which appear in Alteronce Gumby’s I can’t stop thinking about love. And there are ceramic sculptures, like Peter Shire’s Scozzese and Ken Price’s Iggy. The show confronts viewers with abundant color. While that may be a narrow parameter, here it provides insight into each artist’s approach to material and method of application.
Tag: Chris Martin
I live in a seaside tourist town (this weekend is the “Cabin Fever Festival”) so I’m surrounded by impressionistic paintings of boats, water, beach, drawbridge and so forth. In the group show of gallery artists on view at Edward Thorp, Katherine Bradford’s paintings prove that ships and the sea are […]
The current show at Artspace in New Haven, CT, highlights seven painters whose abstract work focuses on elements of color, shape, and surface. The imagery alludes to structures, figures, and recognizable forms, yet remains abstract and unnameable. The painters include Matt Connors, Keltie Ferris, Chris Martin, Carrie Moyer, Baker Overstreet, […]
“After Yale, Chris embarked on a haphazard journey of shows in galleries like John Good, Bernard Toale, Daniel Weinberg and Sideshow. A small band of devoted collectors followed him around, dropping a few dollars on the bright boy to keep him going. Gallery director Jay Gorney told me, ‘I am […]