During my first visit to Daniel Wiener’s studio, we talked about his Apoxie-Sculpt head series that fuse a 1960s psychedelic sensibility with collective angst, his idiosyncratic process, and an exploration of other unusual projects during the lockdown.
Tag: painting objects
The objectness of Rachael Gorchov
Contributed by Jason Andrew / There is a long history of artists expanding the objectness — that is, the sculptural dimension — of painting. Picasso […]
On the road: Take five in Buffalo
Contributed by Jason Andrew / It seems only fitting that University at Buffalo, an institution built on the reputation of one of the great female […]
Andrew Woolbright: Shrinebeasts
Contributed by Zach Seeger / In Andrew Woolbright�s current show “Expresso Your Depresso,” at ADA Gallery in Richmond,�Virginia, the artist creates a series of mixed […]
Leslie Wayne: Burning down the house
Contributed by Sharon Butler / Now in her mid-60s, Leslie Wayne has had several impressive shows at Jack Shainman, but the work in her current […]
Judy Pfaff: Busting pictures to hell
Contributed by Jason Andrew / De Kooning once said, �Every so often a painter has to destroy painting.� Cezanne did it. Picasso did it. Then […]
Dennis Hollingsworth: Pushing paint and painting
Contributed by Riad Miah / Dennis Hollingsworth�s exhibition �Burgeoning,� the artist�s first solo show at Gallery Richard on the Lower East Side, comprises conventional paintings from […]
Theresa Hackett: Melt down
Contributed by Sharon Butler / Climate change is in the air, so to speak. I recently finished binge-watching Fortitude, an ongoing British sci-fi series about […]
Jeremy Hof: The elephant In the room
Contributed by Dion Kliner / A preamble: An elephant in a living room, as unlikely as it is to find one there, would never be mistaken for a couch. That is something of the situation that Jeremy Hof’s work puts one in; forcing the unfortunate necessity of bringing up the question of a particular piece being either painting or sculpture when an answer should be obvious and unnecessary. At this date the general question of something being either painting or sculpture is about as interesting as the question of whether something is art or not, and as equally productive (which is to say not at all). And yet here the question sits (I imagine it grinning), persistent and unavoidable.
Elizabeth Murray�s magnificent tensions
Contributed by Jonathan Stevenson / Elizabeth Murray (1940�2007) was one of art�s gloriously purposeful paradoxes. Her work is irrepressibly bold yet insistently nuanced; liberated in […]
Residency in Tuscany: Scarlett Bowman talks with Jon Lutz
Contributed by Jon Lutz / This summer I had the good fortune to do a four-week residency at Villa Lena, an international program located in the hills […]
Philadelphia conversation: Lovitz, Hoffmann, Granwell at Fleisher/Ollman
Contributed by Becky Huff Hunter / Alchemy, Typology, Entropy at Fleisher/Ollman, Philadelphia, features painting and sculpture by three talented artists who live and work locally: […]
Unlimited: Painting and political upheaval
Contributed by Sharon Butler / During the 1960s, the world was rocked by massive political upheaval. In May 1968, two weeks of student riots in Paris […]
Gedi Sibony’s backwards images in Greater New York
In “Greater New York” at MoMA PS1, Gedi Sibony, known for his early assemblages of carpet and drywall, is represented by nine framed pieces that […]
Gedi Sibony moves beyond the Provisional
Contributed by Sharon Butler / Gedi Sibony continues to repurpose and recycle objects, but his new work moves considerably beyond the abject provisionality of […]































