In the Philadelphia Inquirer, Edith Newhall writes about Sharon Louden’s installation at Gallery Joe: If you’ve seen Sharon Louden’s paintings and drawings, you’ve noticed how […]
Tag: Edith Newhall
Marcia Hafif: Still finding possiblities within a severely restricted practice
Edith Newhall reports in the Philadelphia Inquirer that after decades of painting monochromaticly, Marcia Hafif, now in her seventies, has added a second color. “The […]
Bruce Pollock: Nothing is what it seems
In the Philadelphia Inquirer Edith Newhall reports that Bruce Pollock’s new paintings at Fleisher/Ollman Gallery represent a two-dimensional distillation and multiplication of the sculptures he […]
Clara Fialho loves love
In the Philadelphia Inquirer Edith Newhall reports that Queens-based Clara Fialho is the latest Brazilian artist to bring vivid color back to Brazilian painting in […]
Kate Bright’s silent winters in Philadelphia
London-based painter Kate Bright presents eight new paintings which, like her previous work, depict snow-laden trees. The tightly cropped images of the freshly-fallen snow are […]
Anne Seidman’s oddball forms
In the Philadelphia Inquirer Edith Newhall calls Anne Seidman’s paintings acts of faith rendered in color on rag board. “Since her show here three years […]
Jennifer Bartlett revisits dotty grids
In The Philadelphia Inquirer, Edith Newall reports that Jennifer Bartlett has returned unambiguously to her past in her current show at Locks Gallery. “At 97 […]
James Nelson’s coiling, sausagey shapes
In the Philadelphia Inquirer Edith Newhall reports that the faint, lacy pencil-rendered patterns in James Nelson’s drawings of a few years ago have given way […]
Painted word and reductive abstraction in Philadelphia
“Anthony Campuzano: Note on Door,” Fleisher/Ollman Gallery, Philadelphia, PA. Through Oct. 27. “Kevin Finklea: I know what I want and I’m certain I can’t have […]
Robert Zakanitch in Philadelphia
“Robert Zakanitch: Lace Series,” Locks Gallery, Philadelphia, PA. Through Sept. 29. Edith Newhall reports in The Philadelphia Inquirer: “A founding member of the 1970s ‘Pattern […]
Ink on paper at Gallery Joe
Edith Newhall reviews of the show in The Philadelphia Inquirer: “In the lush Philadelphia summer, with vivid color running rampant, ink on paper can look […]
Edith Newhall reviews painting shows in Philadelphia
Joy Feasley and Clare Rojas at the Locks Gallery; Tim McFarlane at Bridgette Mayer Gallery. Read more.
