Tag: Hokusai

Gallery shows

David Rhodes: Reconfiguring the authorship of a painting

Contributed by Adam Simon / One could be forgiven for mistaking the paintings of David Rhodes at High Noon Gallery for samples of high-end décor, with black fabric punctuated by parallel diagonal stripes stretched over variously sized frames. Whether or not Rhodes anticipates that his work might elicit this response, for me it provided a hurdle, a momentary deflection, suspending my usual mode of engaging with art. I’m glad I had this moment of puzzlement, wondering what in fact I was looking at, before the significance of Rhodes’ achievement sank in.

Solo Shows

Maki Na Kamura: “Caspar David Friedrich plus Hokusai minus Romanticism minus Japonisme”

Contributed by David Carrier / Born in Japan, Maki Na Kamura was trained in Germany, where she now lives and works. In that light, it’s not too surprising that she describes her work as “Caspar David Friedrich plus Hokusai minus Romanticism minus Japonisme.” Identifying herself as both a traditional painter and a contemporary artist, she notes that she might, on the same canvas, use both tempera and oil paint– two materials traditionally used separately. Her paintings and charcoal-on-paper drawings are poised between figuration and abstraction. The paintings are often centered on figures, but it’s not usually clear what’s happening in the work on view at Michael Werner. It may be hard to tell just what we are looking at, but it is obvious that her central concern is visual pleasure.