Tag: film

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Cinema 2024: A tight dozen

Contributed by Jonathan Stevenson / For better or worse, directly or inferentially, movies reflect the zeitgeist. This year, they predominantly resonated dread or resignation, and even those focused on personal endeavor had a political tinge. With humanity’s and especially America’s scabrous underbelly fully exposed, both idealism and irony seem to be taking a break, leaving something in between that doesn’t quite amount to earnestness. It’s not the nineties or even the seventies, though the occasional and fleeting nostalgic nod to better days lightened things up. Here’s one (alphabetical) list of the year’s notable movies, with the usual acknowledgement of idiosyncrasy and incompleteness.

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Sama in the Forest: Indian women’s powerful storytelling

Contributed by Kathryn Myers / As an artist and longtime collector and curator of India’s unique and dazzling Mithila art form, I was deeply moved by an inspired new film, Sama in the Forest, which enlivens and re-contextualizes an ancient folktale while offering a privileged glimpse into the process of creation in Mithila art. Distinguished by its exquisite network of complex lines rendered in ink with shapes of brilliant color, Mithila is…

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Art and Film: A Belated 2021 Top Ten

Contributed by Jonathan Stevenson / When an arthouse revisionist western directed by an Australian woman and starring an Englishman dominates the Oscar nominations, it’s safe to say that the pandemic has not severely compromised the quality or vision of cinema, even if it has skewed the structure of the business towards streaming platforms and away from brick-and-mortar theaters.With the usual caveats about inevitable bias and subjectivity, here, in alphabetical order, is a defensible Top Ten for 2021.

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Art and Film: The low spark of High Art

Contributed by Jonathan Stevenson / It’s a rare movie that finds the sweet spot between storyline cohesiveness and minimal exposition as well as great tone. Lisa Cholodenko’s plangent late-nineties gem High Art — her feature debut, now available on Criterion — is one such movie.

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Art and Film: Ursa meta

Contributed by Jonathan Stevenson / These times demand both mordant humor and serious contemplation, which helps explain the prevalence of meticulously packaged black comedies in […]

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Art and Film: Men of wealth and taste

Contributed by Jonathan Stevenson / Charles Willeford — Guthrie-esque hobo, World War II hero, pulp-fiction genius — was one of the best crime writers of his generation, influential yet under-appreciated. Among his many books, Cockfighter became a cult-classic film starring Warren Oates, Miami Blues a quirky eighties jaunt with Alec Baldwin, Jennifer Jason Leigh, and Fred Ward. His slender memoir, I Was Looking for a Street, wistfully encapsulated both the promise and the strange loneliness of mid-century America, much as Raymond Chandler and Ross Macdonald did in their detective fiction. The Pick-Up was a brutal, uniquely incisive parable about race in America. Thirty-two years after his death and almost 50 years after its initial publication, The Burnt Orange Heresy — arguably his best novel — has made it to the screen, courtesy of director Giuseppe Capotondi and screenwriter Scott Smith, who prove its timelessness.