Contributed by Sharon Butler / While nostalgia and the yearning it precipitates may be gripping the art world, Cordy Ryman’s gently dazzling painting installations, on view at Freight + Volume, are unapologetically about the here and now – that is, what’s happening in one place today. Titled “Monkey Mind Symphony,” the show captures the distractions we encounter day by day, minute by minute. What could be more apt for our time than a visual language comprising small objects? Logically, they are the physical manifestations of tweets or threads, crafted easily, sometimes beguilingly unfinished in the traditional sense of the word, and arranged so as to radiate Ryman’s idiosyncratic energy.
Tag: Casualism
Closely guarded turbulence: Amy Feldman in Stockholm
Contributed by Jonathan Stevenson / Simple and blithely inviting though they may seem at first, Amy Feldman’s new abstract paintings, on display in her solo […]
Richard Tuttle sees the light
Contributed by Sharon Butler / Richard Tuttle, who has lived in New Mexico since the late 1980s, recently got an expansive new studio on Mount […]
Dona Nelson: Exuberant overworking as a strategy
Contributed by Sharon Butler / Dona Nelson says she�s lazy because sometimes she would rather read a book than work in the studio. But �Stand Alone […]
Quick study
LINKS:�Casualism in Puerto Rico, Kurt Cobain�s paintings, legislation to ease student loan debt for artists, an interview with Brian Belott, artists recommend books, Tatiana Berg […]
Quicktime: Fast, casual painting in Philadelphia
Contributed by�Becky Huff Hunter / In his influential Art in America article �Provisional Painting� (2009), critic Raphael Rubinstein traced a history�from Joan Mir� to Mary […]
The gap between: “Unfinished” at the Met Breuer
Contributed by Sharon Butler / In recent years, artists have been interested in “slippage.” In painting, that often translates into an exploration of the space […]
Raoul De Keyser: The loss of certainty
“Drift,” the sublime Raoul De Keyser exhibition on view at David Zwirner through April 23, was organized around a group of 22 small paintings known […]
Interview: Clare Grill in Sunnyside
Contributed by Rob Kaiser-Schatzlein / In late November, I rode my bike to Clare Grill‘s Sunnyside apartment-studio, where we talked about her technique, the mental […]
Press release of the day: Giorgio Griffa at Casey Kaplan
In January Casey Kaplan is presenting work from the 1970s by painter Giorgio Griffa (b. Turin, 1936), an Italian painter known for his rigorous approach […]
Gedi Sibony’s backwards images in Greater New York
In “Greater New York” at MoMA PS1, Gedi Sibony, known for his early assemblages of carpet and drywall, is represented by nine framed pieces that […]
Art and Film: Jem Cohen�s faith in art
Contributed by Jonathan Stevenson / New York independent filmmaker Jem Cohen�s laconically moving Counting is quintessentially an artist�s movie. It is divided into fifteen segments, […]
VERNACULAR: A painterly conversation about abstraction
By Janet Goleas / Shared from the Hamptons Art Hub / The four artists included in “Vernacular”�Eric Brown, Sharon Butler, Andrew Seto and Joyce Robins�at […]
Quick study: Goodbye art world, Tal R, Anselm Reyle’s fall, Hollywood agents, Lucy Lippard’s advice, and a rant about education
When twenty-somethings realize being a part of the the art world often means enduring a hard, poorly compensated, unfair existence, sometimes they decide to pursue […]
Michael Voss: Beyond the absolute
The following is an interesting catalogue essay that critic Carter Ratcliff wrote for Brooklyn painter Michael Voss’s 2014 solo show at George Lawson in San […]





























