Contributed by Robin Dluzen / Adam Scott�s latest exhibition, “Silent Running” at Julius Caesar in Chicago, is a kind of Helen-Frankenthaler-color-field-painting-meets-Gram-Parsons-desert-pilgrimage experience. The works are arguably Scott�s most pared-down and abstract to date, devoid of all but a suggestion of the representational. The artist fills each canvas, edge-to-edge, with his […]