Contributed by Leslie Wayne / For as long as I’ve known Suzanne Joelson – over 40 years now – she has pushed the limits of painting, much as I have tried to do. In what is now an abundantly expanded field, though, I have wondered whether we have much to push against anymore, which makes the endeavor all the more challenging.
Tag: Leslie Wayne
Deborah Buck: Funniest girl in the class
Contributed by Leslie Wayne / Deborah Buck’s energy is preternatural and her generosity of spirit seems to flow from the same deep well. We met at a wedding several years ago, and as I got to know, I learned that her path to becoming a full-time artist was not the usual one, largely because her creative drive was broad, democratic, and highly entrepreneurial. I sat down with Deborah during the run of her show, “Witches Bridge” at Jennifer Baahng Gallery.
The ringing in Leslie Wayne’s head
Contributed by Jonathan Stevenson / Despite the still breathtaking majesty of the physical world, human machinations are undermining its habitability. The United States is more starkly and toxically divided than it has been since the Civil War, and some Americans claim, contra Woody Guthrie, that “This Land” – the title of Leslie Wayne’s cogent new exhibition at Jack Shainman Gallery – was made only for them and not for other Americans. This existential double-whammy leaves artists with something of a conundrum: how to honor and present beauty robustly without seeming cluelessly disengaged. Wayne finds the sweet spot.
Holly Miller’s transatlantic sensibility
Contributed by Leslie Wayne / If you meet Holly Miller on the street, you will encounter a warm, exuberant, emotionally expressive, and funny person who immediately pulls you into her space. You would not expect her art to be highly controlled, minimal, and geometric. Yet she has built her career on paintings that are just that – slightly irregular geometric shapes, flatly painted and intersected by lines sewn with thread. But Miller is now at a crossroads and her work is suddenly exploding outward, making room for new materials, chance encounters, and unpredictable forms. Perhaps, as with many artists, COVID has had something to do with this shift. Life seems a little more precious these days, and taking new aesthetic chances is a small way of asserting courage in the face of the unknown.
Richard Klein: Between nature and industrialization
Contributed by Leslie Wayne / Visual artists who also write criticism and reviews are not uncommon. Rarer are curators or museum directors who are also […]
Leslie Wayne: 2020 Armory report
Contributed by Leslie Wayne / How do you look at art at an art fair? Do you do a quick pass through the whole thing […]
Leslie Wayne: Burning down the house
Contributed by Sharon Butler / Now in her mid-60s, Leslie Wayne has had several impressive shows at Jack Shainman, but the work in her current […]
Immediate, physical, emotional: Studio visit with Elise Siegel
Contributed by Leslie Wayne / For as long as I�ve known Elise Siegel, she has been making three-dimensional work about the psyche. Although her sculptures […]
Studio visit with Barbara Takenaga
Contributed by Leslie Wayne / Barbara Takenaga has been pitting her skill at painting pattern against the physical constraints of materials for years, and her skill […]
Interview: Lesley Dill on her new work, with Leslie Wayne
Contributed by Leslie Wayne / On February 13th, Lesley Dill will open with an installation of new work at Nohra Haime�s new Chelsea Gallery space. […]


























