Tag: Leslie Wayne

Conversation

Suzanne Joelson: Collecting information into sensation

Contributed by Leslie Wayne / For as long as I’ve known Suzanne Joelson – over 40 years now – she has pushed the limits of painting, much as I have tried to do. In what is now an abundantly expanded field, though, I have wondered whether we have much to push against anymore, which makes the endeavor all the more challenging.

Interviews

Deborah Buck: Funniest girl in the class

Contributed by Leslie Wayne / Deborah Buck’s energy is preternatural and her generosity of spirit seems to flow from the same deep well. We met at a wedding several years ago, and as I got to know, I learned that her path to becoming a full-time artist was not the usual one, largely because her creative drive was broad, democratic, and highly entrepreneurial. I sat down with Deborah during the run of her show, “Witches Bridge” at Jennifer Baahng Gallery.

Solo Shows

The ringing in Leslie Wayne’s head

Contributed by Jonathan Stevenson / Despite the still breathtaking majesty of the physical world, human machinations are undermining its habitability. The United States is more starkly and toxically divided than it has been since the Civil War, and some Americans claim, contra Woody Guthrie, that “This Land” – the title of Leslie Wayne’s cogent new exhibition at Jack Shainman Gallery – was made only for them and not for other Americans. This existential double-whammy leaves artists with something of a conundrum: how to honor and present beauty robustly without seeming cluelessly disengaged. Wayne finds the sweet spot.

Interviews

Holly Miller’s transatlantic sensibility

Contributed by Leslie Wayne / If you meet Holly Miller on the street, you will encounter a warm, exuberant, emotionally expressive, and funny person who immediately pulls you into her space. You would not expect her art to be highly controlled, minimal, and geometric. Yet she has built her career on paintings that are just that – slightly irregular geometric shapes, flatly painted and intersected by lines sewn with thread. But Miller is now at a crossroads and her work is suddenly exploding outward, making room for new materials, chance encounters, and unpredictable forms. Perhaps, as with many artists, COVID has had something to do with this shift. Life seems a little more precious these days, and taking new aesthetic chances is a small way of asserting courage in the face of the unknown.