Contributed by Patrick Neal / In New York City galleries, portraits, still lifes, interiors, and landscapes are everywhere, reinvigorated for the twenty-first century. With landscape painting in particular, innovation often arises through a seamless compounding of sources, where past and present, universal and specific, coexist. Three exemplary solo shows drive home the point. With varying degrees of naturalism and mediation, all three artists favor an authentic response to nature, and the titles of each exhibition suggest a phenomenological grounding.
Tag: Julie Heffernan
Julie Heffernan’s splendid circuses
Contributed by Margaret McCann / En masse in Hirschl & Adler’s brimming rooms, Julie Heffernan’s colorful, busy paintings overwhelm like a pride of peacocks. Her solo show “The Swamps are Pink with June,” a line from an Emily Dickinson poem, evokes the hope nature can inspire. This plays out in iconography, a saturated palette, and the adoption of tree diagrams as compositional trellises, which poise the accretion of experience against spontaneous flowerings from the unconscious.
Interview: Julie Heffernan talks about writing her first graphic novel
Contributed by Rebecca Chace / Julie Heffernan is primarily known for her large-scale figurative paintings that seamlessly merge a rococo sensibility with contemporary content. Since […]
The lives of artists
In addition to many other projects, artist Sharon Louden spent the last two years editing Living and Sustaining a Creative Life: Essays by 40 Working […]





















