Contributed by Bonnie Morano / I’m a numbers person. Some say that’s atypical for an artist. But before I began my MFA in painting at Hunter College, I was in the financial world creating Excel spreadsheets. For the Northeast edition of New American Paintings, the springboard publication for emerging artists, 38 out of the 40 artists selected were representational painters. There were two abstract artists in the group – one painter and one artist who crocheted textiles. They accounted for 5% of the total group. I decided to cross reference this stat with the current MFA student directory at Hunter, 113 artists strong. Of that cohort, 53 chose a concentration in painting when they were accepted. The split between representation and abstraction was almost even. Why then was the New American Paintings finalist selection so skewed towards representation?
Tag: Abstract painting
Radical reorientation: Lauren Dana Smith on leaving Brooklyn
Contributed by Sharon Butler / In the early days of the Covid lockdown, Laura Dana Smith, a former organizer of Bushwick Open Studios, left Brooklyn and moved to Taos, New Mexico. I reached out to learn what Smith’s experience leaving Brooklyn and relocating in Taos has been like.
Lauren Luloff: From a reflective distance
Contributed by Sharon Butler / Lauren Luloff’s rigorous new paintings, on view at Fridman Gallery through July 24, have taken a decisive turn away from organic form, floral patterns, and flowing structure towards compulsive geometric pattern.
Jeremy Gilbert-Rolfe: Speculations on abstract painting
Contributed by Saul Ostrow / Jeremy Gilbert-Rolfe has subtly set aside received truths about abstract painting, engaging it as a philosophical subject consisting of things which, regardless of differences of form and content, have been assigned the same classification.
Gary Petersen’s Populuxe abstraction
Contributed by Patrick Neal / Full of bright and brimming lines and shapes, jumbled with quirky geometric forms and zippy colors, Gary Petersen’s paintings are giddy and uplifting. They bring to mind all manner of fun – vacation, travel, cartoons, toys, television, Creamsicles, candies, fruit slices and braided rag rugs, the flamboyant bills of toucans and pelicans. More deeply, his large abstract paintings exude a retro, utopian vibe that marries the hard-edge abstraction of late modernism with some of the quirkier strains of twentieth-century design.
On the Bowery with Jane Swavely
Contributed by Sharon Butler / Jane Swavely has lived and worked in a loft overlooking the Bowery since the 1980s when she was an SVA […]
Sophie Taeuber-Arp: Artist of Everything
Contributed by Laurie Fendrich / Singling out individual works for praise in an exhibition of the size and range of MoMAs Sophie Taeuber-Arp: Living Abstraction is almost beside the point. Her first US retrospective in 40 years, it includes 300 of her approximately 1,200 extant works: pencil drawings, gouache
Adam Henry: Full spectrum
Contributed by Adam Simon / It has been argued that there is no such thing as an abstract painting anymore, only pictures of abstract paintings. […]
Medrie MacPhee, David Humphrey, and the power of recognition
Contributed by Jonathan Stevenson / In the 1940s, Philip Guston noted that the problem with figurative art was that it vanishes into recognition. By 1960, […]
Between object and metaphor: Berger, Lledos, and Uchiyama
Contributed by Karen Schifano / Reacting to the overtly emotional critical response to Abstract Expressionism, Frank Stella sought to refine Greenbergian formalism by reducing painting […]
Fast, unfussy, bright: An interview with Meghan Brady
Contributed by Sangram Majumdar / Recently, I have been admiring the images of Meghan Brady’s large-scale works on paper that she’s been posting on Instagram. […]
What good is abstract painting now?
Contributed by Laurie Fendrich / Without any bombs exploding or even a single shot fired, the world we knew before COVID has gone poof. Sure, […]
Assistants: Connected through circumstance
Contributed by Adam Simon / Lineage is not a concept with a lot of currency these days; too close, perhaps, to its more d�class� kissing […]
Thomas Berding: Something wild
Contributed by Jonathan Stevenson / Thomas Berding�s insouciant show �Field Test,� at The Painting Center in Chelsea, is a smart, spirited consideration of the tension between […]
Jennifer Riley’s Machine Series paintings
Contributed by Sharon Butler / When Brooklyn artist Jennifer Riley began making large-scale abstract paintings using discarded laser-cut pieces of steel, she connected with a […]
The meditative process of making: Abstraction in Connecticut
Contributed by Sharon Butler / Co-curators Daphne Anderson Deeds and Jacquelyn Gleisner have organized “State of Abstraction,” a sophisticated group exhibition comprising elegant work by more […]
Last chance: Julian Pretto’s artists, at Minus Space
Contributed by Sharon Butler / Back in the 1970s, when impoverished, downtrodden New York City was on the verge of bankruptcy, gallerist Julian Pretto would […]
Last chance: Geometrics II
From Joanne Mattera Art Blog:“For “Geometrics II,” curator Gloria Klein selected 12 artists from the Geoform website. Geoform is a fabulous online resource dedicated to […]
I like line, too
Contributed by Sharon Butler / McKenzie Fine Art presents “Linear Abstraction,” which examines of a few of the ways in which artists are using line […]
Mattera looks at shaped canvas: Pousette-Dart and Gorchov
Joanna Pousette-Dart’s show at Moti Hasson is down, but Joanne Mattera Art Blog has recently uploaded some pretty good images. “Pousette-Dart makes paintings that are […]










































