Contributed by Peter Plagens / The first edition of the Getty-sponsored “Pacific Standard Time” slate of exhibitions in 2011 was subtitled simply “Art in L.A., 1945 – 1980,” and it aimed to elucidate Southern California’s contribution to American postwar modern art. In 2017, the second iteration was called “LA/LA,” indicating the city’s Latin American art and artists. This time around PST has declared a more specific theme, “Art and Science Collide,” reminiscent of one of those noble Rose Parade rubrics…
Search Results for "label/LA Times"
Elisabeth Condon: Beautiful complexity
Contributed by Sharon Butler / To understand Elisabeth Condon’s paintings, it seems important to know that she grew up in California in a highly decorated house where she spent hours staring at the wild patterns of the fabrics and wallpapers. The experience certainly informs her exuberant paintings, in which pattern, flower, landscape all co-exist, as she says in her artist statement, in living, breathing presence.
Artist’s notebook: Louise Belcourt
New York-based painter Louise Belcourt recently returned from a quiet summer in the country, where she completed new work, which is on view through December […]
Catalogue essay: Abstract Art Does Not Stop an Hour
Contributed by Laurie Fendrich / The works in Uncharted: American Abstraction in the Information Age are, for all their reliance on what we call “technology,” […]
Vija Celmins: To fix the image in memory
Contributed by Laurie Fendrich / Anyone walking out of the Vija Celmins retrospective that opened last week at SFMoMA thinking how good she is at […]
Exhibition essay: Sarah Sentilles on Nancy Bowen at Kentler International Drawing Space
Contributed by Sarah Sentilles / Nancy Bowen calls herself an “artistic archaeologist,” and in her exhibition “For Each Ecstatic Instant,” you can see the fragments […]
































