Contributed by Jonathan Stevenson / For over twenty years, Matthew Miller rendered arduously meticulous yet mysteriously otherworldly portraits, mainly of himself as subject and almost always against a maximally opaque black background betraying no brushstrokes, evidently free of human imperfection.
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Past, present, and future: The complementary visions of Jodi Hays and Michi Meko
Contributed by Jenny Zoe Casey / In a fascinating and inspired pairing, “The Burden of Wait” at Susan Inglett brings together painters Michi Meko and Jodi Hays and explores the different ways in which inhabitants of a particular region – here the American South – can experience it. Landscape is an important influence for both artists, but their approaches are mostly in opposition.
Painting strategies at the 2012 Whitney Biennial
The 2012 incarnation of the Whitney Biennial features (in addition to a huge slate of film and video screenings in a side room and performance on […]





























